It is an often-repeated piece of advice among many that jointly caring for a canine companion post-separation is ill-advised. Experts frequently claim such arrangements prevent individuals from moving forward, create logistical nightmares, lead to tension, and become annoying for all parties. Apparently, in a revelation fit for a streaming movie, it reportedly leads to our furry friends to experience sadness.
Not to downplay the mental health of dogs – many owners speak of their remarkable empathy. For a prime example in dog sorrow, simply recall recent cinema. It seems certain that a dog like Merv, a spirited little dog portrayed by Gus the Dog, would find it difficult adapting to split households. The idea of basing a full holiday film on this conflict holds water is debatable at best.A Familiar Formula
Honestly, Merv, crafted by the writing duo and helmed by Jessica Swale, doesn't pretend to be anything more than what it is. This is a Christmas movie from a streaming platform giant – the ambitions is limited. The narrative proves to be uncomplicated: exes Russ (Charlie Cox) and Anna (Zooey Deschanel), realizing that their own sadness is rivaled only by their dog's, embark on a uplifting getaway to a luxury pet hotel. At this location, predictably, they will surely realize the idea that they belong with each other. The supporting cast – including a group of comedic actors – serve as eccentric, underutilized, or over-the-top. The film's look carries the feel of a branded content, with a Christmas setting that is visibly contrived – exemplified by obvious snow effects piled on lush pines as North Carolina substitutes for the Northeast.
Where the Film Shines
Whether these predictable parts merge into something enjoyable rests upon the execution and one's taste for cinematic comfort food. Regarding the second aspect, Merv knows its audience – those people who seek out for pet content. Audiences receive a wealth of adorable dog montages. The primary selling point is Merv himself, and even if it causes some awkward editing between animal action and people's faces, the movie does offer canine party antics, canine sorrow, and, ultimately, doggie joy.
The Human Element
Such effectiveness is not earned for the romantic plot. Its style wavers between emotional depth, wacky comedy, formulaic romance, and physical comedy, failing to master a single genre. No blame falls on Charlie Cox, who is willing to embrace the humiliating and funny required by the bizarre setting. Cox exhibits a likable self-deprecation that provides the bulk of the chemistry for this ostensibly perfect couple. Zooey Deschanel, in her typical fashion, brings a certain millennial quirkiness that will either resonate with viewers. Her Anna seems a touch too detached, notably when contrasted against Cox's heartfelt sincerity. (On another note, the canine performer succeeds in flopping and whining – not quite Messi from that acclaimed drama, he remains a very good boy.)
Merv tries to give weight to the central romance for scenes without their pet – a bit of a pity, given that the dog is easily the cutest element of this cute-aiming movie. As one might predict, it achieves only baseline competence. The cause for their original breakup would feel more grounded and mature with more screen time and fewer direct statements. As it stands, Merv is slight and sweet, fulfilling every expected note. Making a film on this shared-custody premise is not terrible – though I wouldn't call it a stroke of genius.
- Merv streams on Prime Video starting December 10.
